1340. Radiohead - Creep Single

Just got this three weeks ago and I am glad I did as with most Radiohead singles. Contains the following tracks: Creep, Yes I am, Blow Out (remix) and Inside my head (live). It's pretty worth it for the 'yes i am' song alone. Great track.

7 out of 10

1339. Radiohead - Com Lag

This collection of B-sides from Hail is, albeit overpriced, a nice little mix of tracks. Most of them I had heard before, and actually own, but regardless it's nice to have and more importantly has made me incredibly excited about a new album next year.

7.5 out of 10

1338. Jeff Buckley - Last Goodbye

Japanese import of the Last Goodbye single - also contains a 14 minute live version of Mojo Pin, Kanga-Roo and Lost Highway. The live Mojo is pretty great, containing a really long intro. Kanga-Roo sounds like Chad and I playing and Lost Highway, which I have on the So Real single is a slide guitar blues jam.

6.4 out of 10

1337. Frank Black - Show me your Tears

I've been on a big Frank Black kick lately, so when I came across this on Sunday for $3 I didn't think twice. It's a solid outing veering more into country than the bar rock of FB - but tracks like Nadine, and Everything is New still rock, just somewhat quietly.

6.8 out of 10

1336. Red Hot Chilli Peppers - Aeroplane

Just picked this up yesterday for a mere $3.00. Why? Well, because I have been curious lately about the Navarro era RHCP, especially since we will be entering another non Frusciante era. The single is backed by three live tracks here all from that tour with Navarro: "Backwoods", "Transcending" and "Me and My Friends". The performances are incredibly loose and Backwoods includes the Come as You Are intro riff, while "Me and my friends" openly uses the Hey Joe riff throughout (and it works!). Good stuff.

6.9 out of 10

1335. Rivers Cuomo - Alone: The Home Recordings

These are demos, which means a lot of times a drum machine is used, the lyrics are improvised and the quality is shaky - but this still would have made for a better Weezer album than what has been released lately. I haven't heard part 2 of this set - but I know I could have grabbed that along with the Summer song demos and made a good Weezer album... sounds like a project.

6.9 out of 10

1334. PJ Harvey & John Parish - A Woman A Man Walked By

John's a lucky guy to have PJ as a friend - the fact that she's always willing to sing on his records says a lot about their friendship. I would have to say that if I removed PJ's vocals and just heard the instrumentals I wouldn't be impressed - they aren't bad, they just aren't memorable. When you hear the cd again you find yourself waiting for key vocal parts.

Overall the disc is a mixed bag of some very dim bright spots and a lot of ok moments.

6.9 out of 10

1333. PJ Harvey - White Chalk

The story of this album is simple - PJ taught herself how to play the piano and recorded an album of herself playing it. The songs have so much air in them that they become filled with a dense aura to them. Her lyrics and rhythmic playing of the piano makes the album a haunted masterpiece that sucks you in, quickly.

8.9 out of 10

1332. Flaming Lips - Dark side of the moon

People were outraged when they heard this lp. I'm not sure what they were expecting. A proper remake of an unremakable lp? Remakes shouldn't be carbon copies. Gus Van Sant's Psycho remake was a frame by frame color reproduction of the original - sure it was a massive undertaking to replicate the master, but for the viewer who wasn't part of the process it felt like seeing the original again but with less gifted actors. So the Lips do what I think is the only way to cover Dark Side: doing it their way - enlisting the help of their crazy friends, making the entire album feel more like a theatre production. Peaches, Rollins and Coyne's nephew's band all add a weirdness and live energy to the project that makes it a winner for me.

8.2 out of 10

1331. Flaming Lips - Embryonic

A return to form - a return to structureless pop - a return to experimenting and ultimately a return to critical and fan acclaim. Easily one of the best releases last year...

8.9 out of 10

1330. Flaming Lips - At War With The Mystics

In the early 2000's the Lips were at the height of their popularity. Yoshimi had given them radio play and critical appreciation, something they had never got both at the same time. I guess the pressure was on to follow it up with an album that would be as equally successful commercially as the previous. At War is half good, and half bad. The bad contains weak attempts at crafting pop nuggets as poetic as Do you Realize - keep in mind this is the flaming lips, so I would never assume that they literally sat down wanting to make a carbon copy - but they did seem to want to follow a familiar path. The other half that's good veers away from that path with genuine Lips songs that take you from the insanely mundane to the mundanely insane. or something like that.

7 out of 10

1329. Chad Vangaalen - Soft Airplane

I really like this guy. Why? Because he sits in his room all by himself and makes up all this crazy shit. Sometimes I feel like my entire life should be like that - 24/7, sitting with my own thoughts making weird shit with all my little projects. He's an inspiration and his music is pretty great too.

8.2 out of 10

1328. The Go! Team - Proof Of Youth

I got this because I did enjoy the first Go Team cd and this follow up was released on Sub Pop. The first release managed to avoid sounding cliche - but this collage of a second cd often sounds just too familiar - a shame, but it still is a strong effort.

7.2 out of 10

1327. MGMT - Oracular Spectacular

I must admit I thought these guys were all hype and no substance mainly because of all the dumb kids who were dancing to 'kids', but having revisited this disc and enjoyed the latest release These guys are shaping up to be quiet geniuses who may be responsible for some of the most exciting music to come out of this country for years to come.

7.5 out of 10

1326. Beck - Modern Guilt

Another classic by Beck. He puts down the drum machine for a bit and picks up his guitar and makes his most rock based record since Odelay - Danger Mouse's production allows it to still have that digitized, processed vibe which works perfectly with the mood of the record - a mood that is reserved yet somewhat funkified - like tapping your feet while sitting at your desk.

8.1 out of 10

1325. Beck - The Information

It bears repeating: I love Beck. The man is a genius of tremendous scale. The artwork, concept and execution of this disc is great. Classic.

8.4 out of 10

1324. Archer Prewitt - Gerroa Songs

This was the only Prewitt disc that iluded me and I finally did find it. When I heard it I was somewhat surprised. Archer's music to me always had a harp like quality to it and was uplifting and sad at the same time. Gerroa Songs has a haunting quality to it - you can hear the room it was recorded in, the atmosphere on each song is dense and thick.

7.3 out of 10

1323. Black Francis - Svn Fngrs

I'm not sure what inspired this little ep, but what inspired me to get it was Meadow's playing me "Garbage Heap", an exercise in control, played perfectly by Frank Black. The rest of the seven tracks are as loose as you'd expect and have a slight darker tone to them. Good stuff.

7.5 out of 10

1322. Black Francis - Bluefinger

This disc marries the Pixies sound with Frank's rockabilly stuff with the Catholics into one fine mess. There are the classic Pixie like mechanics in 'Threshold Apprehension' and the quieter more contemplative country roll in 'Bluefinger'.

7.4 out of 10

1321. Frank Black - Frank Black

Frank Black is a genius. He's also such a prolific artist it's hard to keep track of all of his releases. It's funny how no matter how many times you hear a Frank Black song or a Breeders song they never come close to matching the intensity and brilliance of a Pixies song. But this solo debut is fun and is filled with moments that are very reminiscent of Bossanova.

7.9 out of 10

1320. Menomena - Friend And Foe

A great album with amazing interactive artwork. The band took a nice step forward with building upon their debut sound and making it sharper and tighter. Can't wait for the new LP out this year. 'Wet And Rusting' is a classic.

It's hard to risks with a pessimist.

8.4 out of 10

1319. Menomena - I Am The Fun Blame Monster!

I love this band. They are so simple yet sound so big. "I Am The Fun Blame Monster!" is a pretty great debut for them, highlight their harmonic capabilities while demonstrating a knack for large epic moments where it all comes crashing down to silence.

8.3 out of 10

1318. Pinback - Autumn Of The Seraphs

I love Pinback - the harmonies, melodies, time signatures, lyrics - they are pretty perfect. This album wasn't a greater hit because I think that people were maybe a little turned off by the cover thinking it was some sort of metal project. The album as a whole is missing just that one little bump to make it perfect - I can't wait to hear the next release.

8.2 out of 10

1317. Pinback - Some Voices [EP]

This EP highlights Pinback's humble beginnings, from the photo of their home studio with the beige Mac on the desk to simple, yet unmistakenbly hook filled tracks.

6.4 out of 10

1316. Ween - La Cucaracha

I love Ween because they are funny and they are doing their own thing. La Cucaracha sounds like they wanted to tackle very specific styles of songs - from soft rock to dub to country. While the release isn't their best, they manage to throw in a couple of classics with 'woman and man' and 'you party'.

7.2 out of 10

1315. The Microphones - Mount Eerie

There was a period in the mid 2000's where every cd I bought sounded like this. Like the sound of what the fuck. Half assed melodies, out of place sound effects - an exercise in painting with music - and that's me being polite. This sort of thing just isn't my bag.

4 out of 10

1314. Fujiya & Miyagi - Transparent Things

This may not make sense to say but if this record came out in the 90s it would have been hailed as a masterpiece, not that the reviews it got were bad - but it's so layered and cleverly executed that it didn't receive the praise it should have because, well we're all used to it now. We're used to the attention to details, the cheeky lyrics and infectious grooves. For 2006 when it came out this was a very good, fun release. Still is.

7.4 out of 10

1313. Stars - In Our Bedroom After The War

Bombast is a word I've never used here, but when bands like Stars use it properly it's unstoppable - it makes you sing out loud on a crowded subway, or make a simple trip on a train seem life affirming. Sadly "In Our Bedroom After The War" fails to harness that power that was so elegantly and cleverly captured on their previous releases. It is however still a rather solid effort by such a sweet bunch of canadians.

7.4 out of 10

1312. FEist - The Reminder

Why is the world afraid of soft rock or anything remotely close to it? This is hardly soft rock but it may be misconstrued as such by a less musically educated listener - Feist is too much of a genuine artist to be lumped in with Celine Dion. True soft rock is really superbly executed soft pop. This album absorbs so many influences and makes them its own so seamlessly that one forgets to hand out the credit. It helps too that Feist has one of the sexiest voices in music - that paired with such compositional brilliance makes this an album to remember.

9 out of 10

1311. The Sea and Cake - Everybody

At this stage of my life the sea and cake are more friends than they are a band - I just know them so well it's like a relationship that is constant, intimate but not surprising anymore. With that said I love my friends - 'Everybody' is a return to the 'biz' years in my opinion where the grooves ground you down and Sam's voice wisks you away.

7.9 out of 10

1310. Built to Spill - Ancient Melodies Of The Future

BTS have become pretty good at releasing solid rock records - this one in particular lakcs the urgency and melancholy of previous efforts, but it is still pretty good nonetheless.

7.2 out of 10

1309. Built to Spill - Perfect from now on

A classic fucking record - back when the world was starting to go emo, and radio was playing rap metal, BTS quietly released this bluesy, heavy heartbreak of a record. Fantastic!

8.9 out of 10

1308. Kevin Drew - Spirit If...

This disc by BSS's Kevin Drew starts really well and ends really well but becomes somewhat luke warm in the middle offering us a glimpse into the sonic eccentricities that make the full BSS sound so unique.

7.4 out of 10

1307. Broken Social Scene - Broken Social Scene

Their previous release had been out for quite sometime already before it picked up momentum through amazing reviews and touring - when the follow up came out it seemed rather quick but in reality it wasn't. This is a great follow up to 'You forgot' - it's as epic, layered and guest heavy as ever - what it isn't is hopeful, something that the previous LP always was to me, but that could have just been me personally. This disc also comes with a bonus cd of bsides.

8.3 out of 10

1306. Stephen Malkmus & the Jicks - Real Emotional Trash

I love stephen - I never want to meet him because if he turns out to be a jerk it'll ruin the perfect impression he's cast on me. This third album by him and the jicks is another little treasure - filled with his witty lyrics, jammy gasms and classic rock moments. It's impossible not to like this.

8.8 out of 10

1305. Neutral Milk Hotel - In The Aeroplane Over The Sea

I just heard this cd for the first time right now - crazy huh? It just sort of went right under my radar for a long time - then I'd read about it, or heard about and still didn't listen to it. Then it was on sale at virgin a few years back for $10 so I got it... it's amazing how close this album reminds me of The Decemberists, except less tongue in check and less polished than their vocals and arrangements - and by polished I mean NMH is just looser, playing live instead of individually in a studio - the lyrics too are rawer. Overall I'm impressed.

7.3 out of 10

1304. Margot & the nuclear so and so's - The Dust Of Retreat

Yes the disc is so so. The track I had, and loved, is still great "skeleton key" - but the rest struggles to find its voice and makes a noble effort at trying to be engaging but ultimately is just too diluted to make an impact.

6.4 out of 10

1303. Mew - And the glass handed kites

One of the great things about european bands is that their lyrics are always slightly off - off maybe they aren't off and their sensibilities towards life, people and love and are much more fantastical than we think here in the US. Mew have great song structures, with great pop moments and feature an amazing vocalist whose voice is so sweet yet so powerful. Fun record.

7.5 out of 10

1302. Shearwater - Palo Santo

When Shearwater received an offer to join Matador they were also offered to re-record their debut album - and boy, I am so happy I have this version. The production on this disc is crude, and has a genuine live feel creating a haunted aura around each track - the new versions are just over produced and way too delicate.

7.5 out of 10

1301. Chris Walla - Field Manual

What is this a field manual for? Most likely love or something like that. I was very curious about this album -Walla has been involved in so much indie music I just knew his solo output had to be good. Well it is, just good. There are many sweet hooks of pure indie bliss, but he voice lacks the necessary punch to roar through all the emotion.

6.9 out of 10

1300. Death Cab for Cutie - Narrow Stairs

I obsess over my music. I'm a collector, a completist, a everything. I used to sit down and watch my friends playing with a CD of mine and thinking, "I hope they put the insert back properly so the jewel case tab doesn't crease the booklet" - well, I've learned to let go a little. This was one of the few cds I bought in the last year or so, and within a day ellen spilled water all over it, merging all the pages of the diecut booklet into one solid piece (the cover has four short folds). Sure I was a little upset, but I realized, I can always buy another... but back to the music at hand. DCFC were on a steady roll prior to their major label debut. "Plans" was just a bit too sugary and sweet - the band has alway excelled at making suffering sound so good, but that disc had just too much of the good. On "Narrow Stairs" the band swings to the other direction making the suffering take the front seat to what eventually becomes a stale, uninspired set. You still enjoy it because the band has its charm, but there's no spark.

7.2 out of 10

1299. Of Montreal - Icons, Abstract Thee

Fuck I love this EP. I love Of Montreal. I have ellen mainly to thank for that, and James too. What I love about the band is how prolific Barnes is - there's something about artists that just write so much music that instantly makes me like them, like Prince. This EP is as neurotic and chaotic as other OM releases but it's much more stripped down. Easily, the highlight of the disc to me is "No Conclusion" - a sentiment I feel more and more often. Also, any artist who writes a lyric like "Cock shocker blues" is genius in my book.

8.4 out of 10

1298.The Spinto Band - Nice and Nicely Done

The promo sticker on this says something like "these guys are a mix of pavement, yo la tengo and flaming lips" - and while I wouldn't have picked those bands exactly, they do indeed sound like a bunch of bands - which isn't a jab at them - I guess it's harder to tame all your influences when there is so much music available at your finger tips nowadays. Regardless, they are a talented bunch and deserve a pat on the back.

5.6 out of 10

1297. Modest Mouse - We Were Dead Before The Ship Even Sank

This is MM's most successful commercial LP. "Good News" was great but this disc is just solid through and through - sure it is more mainstream, but it's as good as mainstream can get. When Johnny Marr was announced as a new member I took a small, but warm shit in my pants. The result of is inclusion is interesting - there isn't anything Smiths like on here, but instead the songs do have a very strong 80s pop sensibility to them, which I love - he also added a certain of reason into the Modest Mouse sound, which I love.

9.3 out of 10

1296. Destroyer - Destroyer's Rubies

Destroyer is part Wayne Coyne, part David Bowie and I really appreciate that. He's theatrical but always with a pop sensibility, and he's first and foremost a musician - so his lyrics are always on par with his arrangements.

7.3 out of 10

1295. Bodies of water - Ears Will Pop & Eyes Will Blink

I put a track by these guys on a mix once, and my friend Matt remarked that if he had a band he'd want to sound like these guys. I can understand why, they have this communal family meets classic rock thing going on and after hearing the disc they've also manage to add some sweet sad pop in there too, making this one great little cd. It made my day hearing it today.

8.4 out of 10

1294. Heatmiser - Cop And Speeder

I might have mentioned this about my previous Heatmiser cds - you can hear the struggle of two sounds on this disc - one is of something very common for the ear, a post grunge sort of indie sound almost sebadoh like, and the other is Smith's classic pop sensibility - the two are at even levels here, unlike Mic City Sons where Smith seemed to have is way a bit more. The tracks aren't bad, but they are more for the Smith enthusiast than anybody else.

7 out of 10

1293. Jeremy Egnik - World Waits

Egnik is an old lover that I have a soft spot for - no matter how dated or uninspired a release may be there are always moments that remind me of why I love him.

7.3 out of 10

1292. Dirty On Purpose - Hallelujah Sirens

I played this album while working and it ended with me not realizing what I had heard. The mellow, melancholy disc moves through like a shy guest at an overcrowded party, where they've showed up just so they can say they are being social. I liked it, and I'm not sure if its a disc that can ever be loved since it is so timid. To be continued some other day I suppose.

6.4 out of 10

1291. Mission of Burma - Signals, Calls and Marches

Simple yet incredibly sophisticated. Sure that sounds like a bullshit tag line, but this album really is - it is raw and blunt when it needs to be but it was years ahead of what everyone else was doing. The closing track, "All World Cowboy Romance" is just pure class.

8.2 out of 10